Tips on converting color images to black and white

27 December 2023 - Landscape Photography - Comment -

Enable gray scale mode

Trying to find what color photographs make good black and white images can be quite a task if you have to go through each and every one and convert individually to gray scale. Some screen monitors allow for a quick switch to gray scale. Having this possibility available makes finding images much easier: under a black and white screen mode, one can just scroll through on a file explorer or in Lightroom and simplify the task of finding images that are qualified for black and white. 

There does not seem to be an option in Lightroom to toggle to a black and white screen mode, but there is a work around solution. You can rather easily toggle from color to black and white on both MS Windows 10/11 and Mac /OS X. Switching your monitor to black and white on windows 10/11 is straightforward. Go to “Windows settings” > “Ease of access” > “Color filters”. Turn on the color filters switch and select gray scale as your color filter. Furthermore, if the option "allow the shortcut key to toggle filter on or off" is checked, you can quickly switch from color mode to gray scale by simultaneously pressing the Windows logo key + ctrl + c

On a Mac you can also almost effortlessly switch the display to black and white. Go into “System Preferences” > “Accessibility” > “Display”. Check the boxes for "Use gray scale" and "Show accessibility status in menu bar". Then you can easily toggle with two clicks. Go to the menu bar and click on the Accessibility icon, then check or uncheck the "Use gray scale" when required.

 Once the above mentioned has been settled, you can view all of your images under a gray scale mode without actually having to go through all of the effort of converting each image to black and white.

Color versus black and white

An image where color holds strong useful information such as color separation and contrast is very likely not a good choice for black and white. If visual interest in an image relies heavily on color, converting to black and white will only subtract information and debilitate the composition.

An example where color plays an important role could be one where complementary colors help balance the image or create contrast. In a case where visual excitement is orchestrated by a split-complementary color scheme, color holds too much of an important place in the photograph. Sometimes color can bring about interesting patterns. In these cases, the absence of color would produce no added value to the composition, thus providing no extra meaning. 

Hence, only if you feel that color adds no value to the image and is subtracting interest from the main subjects or is distracting the viewer from focusing on the shapes, geometry and the composition of the image, then you may very well have a candidate for black and white.

Good Light.

When we venture into landscape photography, among many other things, we are taught that the best light is during the golden hour and blue hour that occur at sunrise or sunset. We learn to observe how light affects the color, volume and depth of elements in our landscape images. The tonality and color is improved with a combination of softer contrasts when we capture images during the golden hour. We learn this theory and tend to stick to this concept rule. The latter is ever so true when we seek color as one of the main protagonists of the photograph. 

However, what if we were to anticipate a black and white composition, and the light conditions we need are those that provide strong contrasts between highlights and shadows? In this case, we would achieve our goal by capturing our landscapes in the hours between sunrise and sunset, under a more intense light. High contrast light works very well with black and white photography and we begin to understand this when we stop thinking of color as one of our principle objectives, and break the rules of “good light”.


When editing color photographs, common sensible practice is to faithfully keep the colors, highlights and shadows as realistic as possible. Excessive contrast and saturation in a color image looks unreal and excessively distracting, making it aesthetically incorrect for most people. 

On the other hand, black and white photography allows us to push our images a bit over what is real, allowing us to be a little more expressive and create more dramatic scenes that remain aesthetically acceptable, yet more invigorating. 

As long as we are careful keeping a reasonable dynamic range in the luminosity of our image, and meticulous about not losing detail in shadows nor clipping highlights, we can narrate our story and exaggerate atmosphere by making shadows darker and highlights a bit brighter.

Edwin Doughty - sm-f9a0697-bw.jpg

Edwin Doughty - bnw-colormixer.jpg

The importance of color in black and white images.

When converting a color image to black and white we should consider which colors define the lights and which the darks. This awareness will simplify adjustments in luminosity and saturation in the color to gray scale correspondence.

The “b&w mixer” panel in Camera Raw and Lightroom provide controls where adjustments to luminosity can easily be made. The complete color ranges can be adjusted here: reds, oranges, yellows, greens, aquas, blues, purples and magentas. This utility found in Lightroom or Camera Raw, gives us the possibility to target specific colors. Adjustments to different tonal regions can be made without the need of having to apply masks.

Weak images

Avoid falling into the trap of thinking that a weak or unsuccessful image can be improved by turning it into black and white. We might think that converting a color photo with dull visual interest to none at all, will have more of an “art feel” if converted to black and white. The purpose of converting a color image to black and white should be exclusively to enhance the original underlying creative intentions. Do keep in mind that a color image with a solid structure and a purposeful artistic composition, where color fails or distracts the viewer, bears more of a chance of success when converted to black and white.

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